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Factors that have been cited as leading to the decline of disco in the United States include economic and political changes at the end of the 1970s, as well as burnout from the hedonistic lifestyles led by participants. Gimme! (1998) "The Cambridge History of American Music", "But the pre-Saturday Night Fever dance underground was actually sweetly earnest and irony-free in its hippie-dippie positivity, as evinced by anthems like, "This record was a collaboration between Philip Oakey, the big-voiced lead singer of the techno-pop band the Human League, and Giorgio Moroder, the Italian-born father of disco who spent the 1980s writing synth-based pop and film music. Nonetheless, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia. It is also used to describe the music on several American labels that were previously associated with the genres electroclash and French house. In addition to that, her song "Hung Up" became a major top-10 song and club staple, and sampled ABBA's 1979 song "Gimme! . A real mix, where the common denominator was music. Further, this coupled with the recent legalization of abortions, the introduction of antibiotics and the pill all facilitated a culture shift around sex from one of procreation to pleasure and enjoyment fostering a very sex positive framework around discotheques. In: Dancecult, 3, 1, 2011, pp. Larry Levan, for example, was a prolific record producer as well as a DJ. In addition to her disco-influenced attire to award shows and interviews, her Confessions Tour also incorporated various elements of the 1970s, such as disco balls, a mirrored stage design, and the roller derby. During this period of decline in disco's popularity, several record companies folded, were reorganized, or were sold. Despite its decline in popularity, so-called club music and European-style disco much remained "relatively" successful in the early 1980s, with songs like Irene Cara's "Flashdance... What a Feeling" (theme to the film Flashdance) or Laura Branigan's "Self Control." Nitrites originally came as small glass capsules that were popped open. Every song they wrote was written with an eye toward giving it "deep hidden meaning" or D.H.M. Similarly, Bobby Vinton adapted "The Pennsylvania Polka" into a song named "Disco Polka". The song became an international hit, reaching the charts in many European countries and the US (No. Roberts danced for 205 hours which is the equivalent of 8 ½ days. Produced in the same studio that Don Cornelius used for the nationally syndicated dance/music television show, Soul Train, Step by Step's audience grew and the show became a success. This in turn affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song. In the late 1980s and early 1990s, rave culture began to emerge from the house and acid house scene. Films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's mainstream popularity. Her greatest international single was "Tanti Auguri" ("Best Wishes"), which has become a popular song with gay audiences. Amyl, butyl and isobutyl nitrite (collectively known as alkyl nitrites) are clear, yellow liquids inhaled for their intoxicating effects. [64] In 1977, she recorded another successful single, "Fiesta" ("The Party" in English) originally in Spanish, but then recorded it in French and Italian after the song hit the charts. Those genres, mainly African-American ones, would influence much of early disco music. Classical music was even adapted for disco, notably Walter Murphy's "A Fifth of Beethoven" (1976, based on the first movement of Beethoven's 5th Symphony) and "Flight 76" (1976, based on Rimsky-Korsakov's "Flight of the Bumblebee"), and Louis Clark's Hooked On Classics series of albums and singles. House music has also fused with several other genres creating fusion subgenres,[101] such as euro house, tech house, electro house and jump house. Disco's decline in popularity after Disco Demolition Night was rapid. [33], By describing the music, drugs and liberated mentality as a trifecta coming together to create the festival of carnality, Brewster and Broughton are inciting all three as stimuli for the dancing, sex and other embodied movements that contributed to the corporeal vibrations within the Sanctuary. The Fugitive Kind is a 1960 American drama film starring Marlon Brando, Anna Magnani, and Joanne Woodward, directed by Sidney Lumet.The screenplay by Meade Roberts and Tennessee Williams was based on the latter's 1957 play Orpheus Descending, itself a revision of his 1940 work Battle of Angels, which closed after … (A Man After Midnight), Yvonne Elliman – "If I Can't Have You" (1977), Saturday Night Fever: The Original Movie Sound Track, House Master Boyz and the Rude Boy of House, Monterrey Institute of Technology and Higher Education, Mexico City, List of number-one dance singles of 1978 (U.S.), List of number-one dance singles of 1979 (U.S.), "Readers' Poll: The Best Disco Songs of All Time", "The Legacy of Giorgio Moroder, the "Father of Disco, "The 50 best albums of 2020: the full list", "2020's Disco Pop Revival | FanLabel Music Scene | Playlist", "Paul Morley's showing off ... Vince Aletti, Bill Brewster and Luke Howard", "ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye", "What the Funk?! He wrote the feature article "Discotheque Rock Paaaaarty" that appeared in Rolling Stone magazine in September 1973.[12][13][14]. (1975), Wonder Woman (1975), Charlie's Angels (1976), NBC Saturday Night At The Movies (1976), The Love Boat (1977), The Donahue Show (1977), CHiPs (1977), The Professionals (1977), Dallas (1978), NBC Sports broadcasts (1978), Kojak (1977), and The Hollywood Squares (1979). [53] Another notable disco success that year was George McCrae's "Rock Your Baby":[55] it became the United Kingdom's first number one chart disco single.[56][55]. At the request of Motown that he produce songs in the disco genre, Marvin Gaye released "Got to Give It Up" in 1978, despite his dislike of disco. Brewster, Bill and Broughton, Frank (1999). [31] The music, Shapiro states, is adjunct to "the pleasure-is-politics ethos of post-Stonewall culture." July 12, 1979, became known as "the day disco died" because of the Disco Demolition Night, an anti-disco demonstration in a baseball double-header at Comiskey Park in Chicago. In July 2020, Australian singer Kylie Minogue announced she would be releasing her fifteenth studio album, Disco, on November 6, 2020. . Will Mr. Merriweather Return from Memphis? She briefly reappeared on the charts with the disco song "Gigolo" in 1980. These mixing techniques were also applied to radio DJs, such as Ted Currier of WKTU and WBLS. With synthesizers and Krautrock influences, that replaced the previous disco foundation, a new genre was born when Afrika Bambaataa released the single "Planet Rock," spawning a hip hop electronic dance trend that includes songs such as Planet Patrol's "Play at Your Own Risk" (1982), C-Bank's "One More Shot" (1982), Cerrone's "Club Underworld" (1984), Shannon's "Let the Music Play" (1983), Freeez's "I.O.U." The 12" single became and remains a standard in discos today. DJs helped to introduce rare records and new artists to club audiences. . Tim Lawrence. The quaver pattern is often supported by other instruments such as the rhythm guitar and may be implied rather than explicitly present. Security Alert! It was her only entry to the UK Singles Chart, reaching number 9, where she remains a one-hit wonder. In part this was to avoid the animosity that was still surrounding disco and dance music. 12" single records, also known as "Maxi singles", quickly became the standard format for all DJs of the disco genre.[16]. 'Groovejet' accepts the night's changeability, happily sells out certainty for an amused smile and a few great one-liners."[111]. She installed a dance floor with coloured lights and two turntables so she could play records without having a gap in the music. Last Night a DJ Saved My Life: The History of the Disc Jockey. . In the late '70s, Studio 54 in Midtown Manhattan was arguably the best known nightclub in the world. "[100] Early house music was generally dance-based music characterized by repetitive four on the floor beats, rhythms mainly provided by drum machines,[101] off-beat hi-hat cymbals, and synthesized basslines. After some months the parties became weekly events and Mancuso continued to give regular parties into the 1990s. – The Fix", "Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer", "The Forging of a White Gay Aesthetic at the Saint, 1980–84", "The Decade of Decadence: A Quick Look at The Sexual Revolution – Flashbak", Disco Double Take: New York Parties Like It's 1975, "Official Singles Chart Top 50 - 04 May 1975 - 10 May 1975", "DISCO AND THE QUEERING OF THE DANCEFLOOR", "It's a big step from disco to Sanskrit chants, but Biddu has made it", "Philip Oakey & Giorgio Moroder: Overview", "I feel love: Donna Summer and Giorgio Moroder created the template for dance music as we know it", "It's Gibberish, But Italian Pop Song Still Means Something", "Popular Videos – Prisencolinensinainciusol – YouTube", "Bob Sinclar & Raffaella Carrà – Far l'amore", "Queen of Disco: The Legend of Sylvester", "1979 Purina Good Mews cat food TV commercial", "Disco Music Genre Overview – AllMusic", Robert Christgau: Pazz & Jop 1978: New Wave Hegemony and the Bebop Question, From Comiskey Park to Thriller: The Effect of "Disco Sucks" on Pop, "empsfm.org – EXHIBITIONS – Featured Exhibitions", "House Music is Disco's Revenge: A Look at the Early Days of American House", "House : Significant Albums, Artists and Songs, Most Viewed", "The club DJ: a brief history of a cultural icon", "Disco Double Take: New York Parties Like It's 1975", "Boogie Children: A new generation of DJs and producers revive the spaced-out, synthetic sound of Euro disco", "Beatport launches nu disco / indie dance genre page", "SPILLER – "Groovejet (If This Ain't Love), "It's Happy, It's Danceable and It May Rule Summer", "Review: Lady Gaga's 'Artpop' bursts with disco energy", "Will the '70s Disco Soundtrack of 'The Martian' Be the Next 'Guardians of the Galaxy'? Recording complex arrangements with such a large number of instruments and sections required a team that included a conductor, copyists, record producers, and mixing engineers. During the first years of the 1980s, the traditional disco sound characterized by complex arrangements performed by large ensembles of studio session musicians (including a horn section and an orchestral string section) began to be phased out, and faster tempos and synthesized effects, accompanied by guitar and simplified backgrounds, moved dance music toward electronic and pop genres, starting with hi-NRG. [60] In 1975, Summer suggested the lyric "Love to Love You Baby" to Moroder and Bellotte, who turned the lyric into a full disco song. "The "chicken scratch" sound is achieved by lightly pressing the guitar strings against the fretboard and then quickly releasing them just enough to get a slightly muted poker [sound] while constantly strumming very close to the bridge. Several parodies of the disco style were created. Nirvana is the dance; when the music stops, you return to being ordinary."[50]. ", "Why 2020 Is The Summer Of Rollerskating", "Roller skates are selling out everywhere as Americans seek nostalgic outdoor pastimes that provide a 'light-hearted escape from reality, "Leave It to Tom Ford to Serve Up Full-Fledged Disco Beauty", "Rollerskating has become so popular in Hobart that scammers are offering fake tickets", "BTS' 'Dynamite' Blasts in at No. "The Forging of a White Gay Aesthetic at the Saint, 1980–84". Another disco outlet that also competed against WDAI at the time, WGCI-FM, would later incorporate R&B and pop songs into the format, eventually evolving into an urban contemporary outlet that it continues with today. Renamed as 'the Jacksons' (as Motown owned the name 'the Jackson 5'), they went on to find success with disco songs like "Blame It on the Boogie" (1978), "Shake Your Body (Down to the Ground)" (1979) and "Can You Feel It?" In their history of the disc jockey and club culture, Bill Brewster and Frank Broughton describe the Sanctuary as "poured full of newly liberated gay men, then shaken (and stirred) by a weighty concoction of dance music and pharmacoia of pills and potions, the result is a festivaly of carnality. Recently, Carrà has gained new attention for her appearance as the female dancing soloist in a 1974 TV performance of the experimental gibberish song "Prisencolinensinainciusol" (1973) by Adriano Celentano. But we weren't thinking like that. The Eagles are one of the world’s best-selling bands, having sold more than 100 million albums. Men's leisure suits were typically form-fitted in some parts of the body, such as the waist and bottom, but the lower part of the pants were flared in a bell bottom style, to permit freedom of movement. In 1974, there were an estimated 25,000 mobile discos and 40,000 professional disc jockeys in the United Kingdom. [67]Another prominent European disco act was the pop group Luv' from the Netherlands. The producer-oriented sound was having difficulty mixing well with the industry's artist-oriented marketing system. [90] Some in the media, in celebratory tones, declared disco "dead" and rock revived. Gimme! List of one-act plays by Tennessee Williams, https://en.wikipedia.org/w/index.php?title=The_Fugitive_Kind&oldid=1011547622, Films with screenplays by Tennessee Williams, Films based on works by Tennessee Williams, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 March 2021, at 14:00. Other successful songs by Chic include the often-sampled "Good Times" (1979) and "Everybody Dance" (1979). [106] Post-punk's mantra of constantly moving forward lent itself to both openness to and experimentation with elements of disco and other styles. Earth, Wind & Fire also survived the anti-disco trend and continued to produce successful singles at roughly the same pace for several more years, in addition to an even longer string of R&B chart hits that lasted into the 1990s. By October 1975 the Hustle reigned. Andrea Angeli Bufalini & Giovanni Savastano (2014). Rock and roll songs critical of disco included Bob Seger's "Old Time Rock and Roll" and, especially, The Who's "Sister Disco" (both 1978)—although The Who's "Eminence Front" (four years later) had a disco feel. Rafaella Carrà worked with Bob Sinclar on the new single "Far l'Amore" which was released on YouTube on March 17, 2011. Typical lighting designs for disco dance floors could include multi-coloured lights that swirl around or flash to the beat, strobe light, an illuminated dance floor and a mirror ball. "[84] It has been noted that British punk rock critics of disco were very supportive of the pro-black/anti-racist reggae genre as well as the more pro-gay new romantics movement. Its dancefloor is a space for immediate pleasure, but also for promises kept and otherwise. Her 1980 dance classics "Upside Down" and "I'm Coming Out" were written and produced by Nile Rodgers and Bernard Edwards of the group Chic. The track "Love Hangover" by Diana Ross, the house anthem at the former, was cited as a particular favourite by many early UK punks. The post-disco sound and genres associated with it originated in the 1970s and early 1980s with R&B and post-punk musicians focusing on a more electronic and experimental side of disco, spawning boogie, Italo disco, and alternative dance. [43] The non-partnered dance style of disco music allowed people of all races and sexual orientations to enjoy the dancefloor atmosphere. The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. The long instrumental introductions and detailed orchestration found in psychedelic soul tracks by the Temptations are also considered as cinematic soul. [21] Necklaces and medallions were a common fashion accessory. 2). This was part of a wave of 1970s nostalgia that was taking place in popular culture at the time. A few examples like Daft Punk's "One More Time" and Kylie Minogue's "Love At First Sight" and "Can't Get You Out of My Head" became club favorites and commercial successes. It quickly spread to other American cities such as Detroit, where it developed into the harder and more industrial techno, New York City (also see: garage house) and Newark – all of which developed their own regional scenes. View official tab. Spiller is less rigid. [106] Mutant disco acts such as Kid Creole and the Coconuts, Was Not Was, ESG and Liquid Liquid influenced several British post-punk acts such as New Order, Orange Juice and A Certain Ratio.[106]. A current revival has been underway since the early 2010s, coming to great popularity in the early 2020s during the COVID-19 pandemic, due to disco's fun and escapist nature (alleviating the mental toll the pandemic has taken on people). David Mancuso's club/house party, The Loft, was described as having a "pansexual attitude [that] was revolutionary in a country where up until recently it had been illegal for two men to dance together unless there was a woman present; where women were legally obliged to wear at least one recognizable item of female clothing in public; and where men visiting gay bars usually carried bail money with them. On his 30th birthday he decides to change his drifting "party boy" life. The Fugitive Kind is a 1960 American drama film starring Marlon Brando, Anna Magnani, and Joanne Woodward, directed by Sidney Lumet. There are, however, more minimalist flavors of disco with reduced, transparent instrumentation, pioneered by Chic. By far the most successful Euro disco act was ABBA (1972–1982). (1983), Midnight Star's "Freak-a-Zoid" (1983), Chaka Khan's "I Feel For You" (1984). The Hues Corporation's "Rock the Boat" (1974), a US number-one single and million-seller, was one of the early disco songs to reach number one. The Bee Gees, for instance, had only one top-10 entry (1989's "One") and three more top-40 songs (despite recording and releasing far more than that and completely abandoning disco in their 1980s and 1990s songs) in the United States after the 1970s, even though numerous songs they wrote and had other artists perform were successful. Formed by Harry Wayne Casey (a.k.a. The success of the "nu-disco" revival of the early 2000s was described by music critic Tom Ewing as more interpersonal than the pop music of the 1990s: "The revival of disco within pop put a spotlight on something that had gone missing over the 90s: a sense of music not just for dancing, but for dancing with someone. Paul Gootenberg states that "[t]he relationship of cocaine to 1970s disco culture cannot be stressed enough..."[22] During the 1970s, the use of cocaine by well-to-do celebrities led to its "glamorization" and to the widely held view that it was a "soft drug". Rick Dees, at the time a radio DJ in Memphis, Tennessee, recorded "Disco Duck" (1976) and "Dis-Gorilla" (1977); Frank Zappa parodied the lifestyles of disco dancers in "Disco Boy" on his 1976 Zoot Allures album and in "Dancin' Fool" on his 1979 Sheik Yerbouti album; "Weird Al" Yankovic's eponymous 1983 debut album includes a disco song called "Gotta Boogie", an extended pun on the similarity of the disco move to the American slang word "booger". Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars.. Another successful West German disco recording act was Silver Convention (1974–1979). Rip It Up and Start Again POSTPUNK 1978–1984 by, Modulations: A History of Electronic Music, Carl Douglas – "Kung Fu Fighting" (1974), Ain't Gonna Bump No More (With No Big Fat Woman), You're the First, the Last, My Everything, Gimme! Disco-era disc jockeys (DJs) would often remix existing songs using reel-to-reel tape machines, and add in percussion breaks, new sections, and new sounds. Nightclub-goers often wore expensive, extravagant, and sexy fashions. Myron Floren, second-in-command on The Lawrence Welk Show, released a recording of the "Clarinet Polka" entitled "Disco Accordion." play upon deep emotional chords . Known as the first DJ to create a take his audience on a narrative, musical journey, Grasso discovered that music could effectively shift the energy of the crowd, and even more, that he had all this power at his fingertips. Other disco producers such as Tom Moulton took ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in the 1970s) to provide alternatives to the "four on the floor" style that dominated. [75] Even mainstream rock artists adopted elements of disco. The New York nightclub The Sanctuary under resident DJ Francis Grasso is a prime example of this sexual liberty. In 1979, they released a successful cover of Elton John's "Are You Ready for Love", as well as a medley of the Four Seasons' song "Working My Way Back to You" and Michael Zager's "Forgive Me, Girl". Stevie Wonder released the disco single "Sir Duke" in 1977 as a tribute to Duke Ellington, the influential jazz legend who had died in 1974. During the 1960s, discotheque dancing became a European trend that was enthusiastically picked up by the American press. [66][citation needed] In 2008 a video of a performance of her only successful UK single, "Do It, Do It Again", was featured in the Doctor Who episode "Midnight". Everyone can read. In 1977, singer, songwriter and producer Willie Hutch, who had been signed to Motown since 1970, now signed with Whitfield's new label, and scored a successful disco single with his song "In and Out" in 1982. Robbie Williams' disco single "Rock DJ" was the UK's fourth best-selling single the same year. [Sidney Lumet's] plainly perceptive understanding of the deep-running skills of the two stars, his daring with faces in close-up and his out-right audacity in pacing his film at a morbid tempo that lets time drag and passions slowly shape are responsible for much of the insistence and the mesmeric quality that emerge . In 1970s Munich, West Germany, music producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summer, which became known as the "Munich Sound". This led to nitrites being given the name 'poppers' but this form of the drug is rarely found in the UK. [30] This allowed for the potential expression of sexualities not defined by the cock/penis, and the erotic pleasure of bodies that are not defined by a relationship to a penis. in 1979. The style has had several newer scenes since the 1990s, and the influence of disco remains strong across American and European pop music. Boney M. charted worldwide with such songs as "Daddy Cool" (1976) "Ma Baker" (1977) and "Rivers Of Babylon" (1978). The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune on July 12, 1964, but Playboy magazine used it in September of the same year to describe Los Angeles nightclubs. Well-known disco artists include Donna Summer, Gloria Gaynor, … Gimme! The song is also known under its Spanish title "Para hacer bien el amor hay que venir al sur" (which refers to Southern Europe, since the song was recorded and taped in Spain). . [119][122][123][124][125] The resurgence of roller skating has been powered by social media apps like Instagram, TikTok and Snapchat which have seen an increase of roller skating-related content throughout 2020, partially the result of people seeking escapist hobbies during the COVID-19 pandemic. [106] Their performances resembled those of disco performers (horn section, dancers and so on). Scott developed several innovations. The Four Seasons left Motown in 1974 and went on to have a disco hit with their song "December, 1963 (Oh, What a Night)" (1975) for Warner Curb Records. Unlike the simpler, four-piece-band sound of funk, soul music of the late 1960s, or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of "classical" solo instruments (for example, flute, piccolo, and so on). Levan, for example, developed a cult following among club-goers, who referred to his DJ sets as "Saturday Mass". The band Chic was formed mainly by guitarist Nile Rodgers—a self-described "street hippie" from late 1960s New York—and bassist Bernard Edwards. The group regarded themselves as the disco movement's rock band that made good on the hippie movement's ideals of peace, love, and freedom. [98] Harold Childs, senior vice president at A&M Records, told the Los Angeles Times that "radio is really desperate for rock product" and "they're all looking for some white rock-n-roll". Miss Woodward is perhaps a bit too florid for full credibility . House music in the 2010s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more aggressive acid house or the minimalist microhouse. "[45], The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loft, an invitation-only non-commercial underground club that inspired many others. CL 1355; Vinyl LP). Euro disco continued evolving within the broad mainstream pop music scene, even when disco's popularity sharply declined in the United States, abandoned by major U.S. record labels and producers. "[15] Other backing keyboard instruments include the piano, electric organ (during early years), string synthesizers, and electromechanical keyboards such as the Fender Rhodes electric piano, Wurlitzer electric piano, and Hohner Clavinet. In the early 1940s, nightclubs in Paris resorted to playing jazz records during the Nazi occupation. Mixing engineers and record producers helped to develop the "disco sound" by creating a distinctive-sounding, sophisticated disco mix. [21] Bold colors were popular for both genders. In 1978, Donna Summer's multi-million selling vinyl single disco version of "MacArthur Park" was number one on the Billboard Hot 100 chart for three weeks and was nominated for the Grammy Award for Best Female Pop Vocal Performance. In January 1979, rock critic Robert Christgau argued that homophobia, and most likely racism, were reasons behind the movement,[83] a conclusion seconded by John Rockwell. Later on uptempo rhythm and blues became popular in American clubs and northern soul and glam rock records in the UK. My Kind Of Woman chords by Mac DeMarco. In December 1977, the film Saturday Night Fever was released. The final product, which contained a series of simulated orgasms, initially was not intended for release, but when Moroder played it in the clubs it caused a sensation and he released it. Released 17 August 1959 on Columbia (catalog no. He found that it was impossible to make the 45-RPM vinyl singles of the time longer, as they could usually hold no more than five minutes of good-quality music. [80][81] Disco was criticized as mindless, consumerist, overproduced and escapist. Jimmy Ruffin, the elder brother of the Temptations lead singer David Ruffin, was also signed to Motown, and released his most successful and well-known song "What Becomes of the Brokenhearted" as a single in 1966. [46] Mancuso required that the music played had to be soulful, rhythmic, and impart words of hope, redemption, or pride. 121-127. . [106] Public Image Limited is considered the first post-punk group. Andy Gibb, a younger brother to the Bee Gees, followed with similarly styled solo singles such as "I Just Want to Be Your Everything", "(Love Is) Thicker Than Water" and "Shadow Dancing". Hank Williams Jr. began his career imitating the music of his famous father Hank Sr. [4], In the Chicago Reader, Jonathan Rosenbaum observed, "Unfortunately, director Sidney Lumet, who's often out of his element when he leaves New York, seems positively baffled by the gothic south and doesn't know quite what to do with the overlay of Greek myth either. Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever (1979). DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre.[58]. The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in 1973. Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." [106] The group's second album Metal Box fully embraced the "studio as instrument" methodology of disco. Mobile discos were hired deejays that brought their own equipment to provide music for special events. In this period, rock bands like the English Electric Light Orchestra featured in their songs a violin sound that became a staple of disco music, as in the 1975 hit "Evil Woman", although the genre was correctly described as orchestral rock. `` Discophobia: Antigay Prejudice and the blacks wrote a disco song remaster/mastering engineer, he a! And sexy fashions the Chicago house genre to the airwaves, New York ``..., German and French house artistic reasons for being critical of disco music allowed People of all time the. 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