maesta. Back Panels of the Maestà Duccio di Buoninsegna, Maesta Altarpiece(verso), Stories of the Passion, 1308-11, tempera on wood, Museo dell'Opera del Duomo, Siena The main element of the back consisted of fourteen panels, originally separated by little columns or pilasters (of about 4 cm) which were lost, together with the outside frame, in the dismembering of 1771. Painting, relief, and sculpture in the round have all been used in altarpieces, either alone or in combination. Maria Regina is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. Ognissanti Madonna Artist Giotto di Bondone Year c. 1310 Medium Tempera on panel Dimensions 325 cm × 204 cm (128 in × 80 in) Location Uffizi Gallery, Florence Madonna Enthroned, also known as the Ognissanti Madonna, or just Madonna Ognissanti, is a painting by the Italian late medieval artist Giotto di Bondone, housed in the Uffizi Gallery of Florence, Italy. Collection of Siena Cathedral. Altarpiece, work of art that decorates the space above and behind the altar in a Christian church. During this period, and for hundreds of years, Italy was not a unified country, but rather was divided into many small countries we call city-states. The back of the Maestà featured images from the life of Christ and his Passion, including the Raising of Lazarus (17 1/8” x 18 1/4”). A Madonna (Italian: [maˈdɔn.na]) is a representation of Mary, either alone or with her child Jesus. From transcendent to human: The Crucifixion c. 1200. [6], Because the Maesta was dismantled in 1771, its power and beauty can only be imagined from scattered parts, some still in Siena, Italy, but others elsewhere.[7]. Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. Neither the presence of Mary, a symbol of the divine (either a hand or dove), nor the setting is a concern of the artist. Ambrogio Lorenzetti (Siena, ca. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. 1290 – Siena, 1348) was an Italian painter of the Sienese school. The second version (1308–11), painted for the cathedral of Siena and one of the largest altarpieces of its time, consisted of a wide central panel with the Virgin and Child adored by the patrons of Siena and surrounded by saints and angels. When was Duccio di This is one of Cimabue's early works, painted in about 1280, well before the Maestà … Beneath was a predella with seven scenes from the childhood of Christ; above were pinnacles with scenes from the life of the Virgin; and on the back were scenes from the life of Christ. Maestà, (Italian: “Majesty”) double-sided altarpieces executed for the The work was not only large, the central panel was 7 by 13 feet, but it had to be painted on both sides since it could be seen from all directions when installed on the main altar at the centre of the sanctuary. This was no mere religious body. Modeled on an ancient statue, Botticelli’s Birth of Venus went much further, featuring fashionable beauty ideals of long flowing blonde hair, ivory skin, rosy cheeks, and perfectly arched eyebrows. Venice's San Marco, a mosaic of spiritual treasure. Astoundingly complex, with dozens of individual fields and several narrative cycles, it measured around 15 feet or four meters square. Sacred narrative unfolds in elegant episodes enacted by graceful figures who seem to dance their way through these stories while still conveying emotional content. The most famous example of the Maestà is the Maestà with Twenty Angels and Nineteen Saints, an altarpiece comprising many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna. Updates? DUCCIO, Betrayal of Jesus, detail from the back of the Maestà altarpiece, 1309-1311. Other noted examples of the Maestà are Simone Martini's Maestà in the Palazzo Pubblico, Siena, or Cimabue's fresco in the Basilica of San Francesco d'Assisi. The Maestà is a fresco (970x763 cm) by Simone Martini. The first version (1302), originally in the Palazzo Pubblico in Siena, is now lost. Collection of Siena Cathedral. Let us know if you have suggestions to improve this article (requires login). The Maestà is an extension of the "Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine Mosaics. 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