FREE Shipping. See details. Considered among the most personal of Bernini's work, the bust depicts Costanza Piccolomini Bonarelli, the wife of Matteo Bonarelli, one of Bernini's pupils and coworkers. Bust of Costanza Bonarelli c. 1635 Marble, height 70 cm Museo Nazionale del Bargello, Florence: The most personal of Bernini's work. Carefully slice the alginate vertically in order to reveal the original object. ‘Bust of Costanza Buonarelli’ was created in c.1635 by Gian Lorenzo Bernini in Baroque style. Bernini retaliated by beating his brother with a bar and sending a servant to Costanza with orders to scar her. C.F. The Museo Omero has a cast of a true copy of it, 72 cm high, in the area dedicated to Human Facial Expression. This portrait bust of Costanza Bonarelli, dated around 1635, is Bernini’s only private work. Due to his religious fervour and the fact that the majority of his commission was provided by the religious figures, most of his work was religious by theme and nature. e P. IVA: 02629770427, Certified e-mail: museoomero@legalmail.it, Reservations: 335 5696985 (also whatsapp). It is an exceptional sculpture breaking with the tradition of seventeenth century portrait sculpturing and previewing the style of the next century. Calendar Search: SEE ALSO Event Calendar: Visit Home Event Calendar Event Information : Event Information. The woman is depicted in a frontal position, her eyes are wide open as if reacting to an unexpected sight and she seems to be avoiding the viewer’s gaze. This sculpture opened the way for an introspective, psychological evolution in portrait sculpture, which had been linked for too long to political/celebratory requirements. more information Accept. Please take a moment to review my edit. By continuing to use the site, you agree to the use of cookies. © www.GianlorenzoBernini.org 2020. Date: Sunday, October 5, 2008 Time: 4:00 p.m. Bust of Costanza Bonarelli, Bernini Euro currency added to design watermark horizontal Buy Now: 14 sale offers from US$ 0.02 Charity with two children. «You are very lucky, my Knight, to have seen Cardinal Maffeo Barberini as Pope; but our luck is much greater, in that Cavalier Bernini is alive during our pontificate ». Considered among the most personal of Bernini's work, the bust depicts Costanza Piccolomini Bonarelli, the wife of Matteo Bonarelli, one of Bernini's pupils and coworkers. All Rights Reserved. Bust of Costanza Bonarelli, detail. Art historian Sarah McPhee lectures on Gian Lorenzo Bernini's portrait bust of his lover, Costanza Bonarelli. Her dress, similar to an undershirt, is not particularly elegant and is gathered into a smooth simple ribbon around the neckline. It is now in the Museo Nazionale del Bargello in Florence, Italy. Find the travel option that best suits you. She became Bernini’s mistress during a love affair that began in 1636 and ended dramatically in 1638. It is a very ‘private’ image that he perhaps made for himself and kept in his home for a long time… Vergleichen Sie Hotels in Bust of Costanza Bonarelli und buchen Sie ein günstiges Hotel in Bust of Costanza Bonarelli bei FareCompare.com Links. Costanza was the unfaithful wife of the sculptor Matteo Bonarelli, one of Bernini’s assistants. Gianlorenzo bernini, busto di costanza piccolomini bonarelli, 1636-37 (bargello).jpg 2,526 × 4,470; 5.16 MB. The sculpture represents Costanza Bonarelli, with whom the Italian artist falls in love with when her husband was Berniniâs assistant in 1636. From the spiralling columns of the sculpture that draws a viewer's eyes heavenward to the main flutters of fabric in the portrait bust; all of the artistic work provides the scene of being the snapped moment of stillness in a frenzy of motion. Terracotta, height 42 cm. Bust of Costanza Bonarelli by Gian Lorenzo Bernini.jpg 2,268 × 4,032; 2.04 MB. Considered among the most personal of Bernini's work, the bust depicts Costanza Piccolomini Bonarelli, the wife of Matteo Bonarelli, one of Bernini's pupils and coworkers. “Costanza was the great romantic passion of Bernini’s life,” McPhee said. Costanza was the wife of Matteo Bonarelli, a sculptor from Lucca, who joined Bernini's workshop around 1636. Through the careful combination of sculpture, painting, and architecture Gian was able to develop what artworks could encompass. Bernini bust of Costanza Bonarelli detail.jpg 3,830 × 4,000; 937 KB. This portrait bust of Costanza Bonarelli, dated around 1635, is Bernini’s only private work. He also used molten bronze and wax in the design and execution of the Bust of Costanza Bonarelli. The most intimate of all Bernini’s works was not well-received by the critics of his day. Other images of: Bust of Costanza Bonarelli (3) Location: Italy (6533) | Tuscany (2051) | Firenze (1532) | Florence (1415) Sculptor: Bernini, Gian Lorenzo (59) Period: 17th century (3591) Type: Busts (664) People: Bonarelli, Costanza (3) Bust of Costanza Bonarelli Museo Nazionale del Bargello, Florence, Tuscany, Italy Valid today:22/03/2021. Image courtesy of sailko via Wikimedia Commons I have just modified one external link on Bust of Costanza Bonarelli. Her mouth is slightly open, as if holding back a cry of surprise. The alginate material has … Also, due to the patronage which he was driven by, he created a series of portraits that were both in sculpted busts and painted forms. Bernini's Beloved: A Portrait of Costanza . To achieve the beauty of his sculptures, Bernini used several styles and methods which include the casting technique famously known as the lost wax and the painstaking process. c. 1635. High-quality museum quality from Austrian manufactory. Concerning the case of the baldachin, Bernini used real-life objects such as lives to create the natural appearance. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information. It is housed in the Museo Nazionale del Bargello in Florence, Italy. In this sculpture, Bernini is expressing the most poignant moment and communicating the event in the most dramatic way by the use of exuberant movements, emotive facial expressions and the feasts of technical mastery. Museo Nazionale del Bargello, Florence. We produce your artwork exactly like you wish. In one, amidst display cases with coins, was a treasure I didn’t know existed, but learned later was quite famous and considered perhaps Gianlorenzo Bernini’s finest portrait sculpture – his bust of Costanza Bonarelli. The extraordinary naturalness of the portrait strongly suggests a clandestine love binding the artist to the woman. Other images of: Bust of Costanza Bonarelli (3) Location: Italy (6533) | Tuscany (2051) | Firenze (1532) | Florence (1415) Sculptor: Bernini, Gian Lorenzo (59) Period: 17th century (3591) Type: Busts (664) People: Bonarelli, Costanza (3) Bust of Costanza Bonarelli Museo Nazionale del Bargello, Florence, Tuscany, Italy Bust of Costanza Bonarelli by Gian Lorenzo Bernini The Bargello is home to a remarkable bust (1637) of Costanza Bonarelli by that great master of the Baroque, Gian Lorenzo Bernini (1598-1680). Bonarelli by Gian Lorenzo Bernini in Baroque style he also used molten bronze and wax in the Museo del. 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