archetypal criticism: theory of myth summary

2. intellectual thinking. R. F. C. Hull, 2 vois., 1973-75). Joseph Campbell's theory that stories around the … These archetypalists, focusing on the imaginal’and making central the concept that in English they call “soul,” assert their kinship with Semiotics and Structuralism but maintain an insistent focus on psychoid phenomena, which they characterize as meaningful. But the great literary text for Jung’s life and work was Johann Wolfgang von Goethe’s Faust, not because of its literary qualities but because he sensed that the drama expressed his own personal myth (Letters 1:309-10). These critics—we can call them myth critics for short—believe the great literature that has proved to be of enduring appeal to humans over the centuries is the literature that best reveals and expresses this magical realm. /ColorSpace /DeviceGray As Hillman puts it, Corbin’s insight that Jung’s “mundus archetypalis” is also the “mundus imaginalis” that corresponds to the Islamic “alam al-mithl” (3) was an early move toward “a reappraisal of psychology itself as an activity of poesis” (24). This explains his fascination with a text like Rider Haggard’s novel She: The History of an Adventure (1886-87), with its unmediated representation of the “anima.” As Jung himself noted: “Literary products of highly dubious merit are often of the greatest interest to the psychologist” (Collected 15:87-88). Apparently, archetypal approach literary criticism may sound too tricky if you don’t see how it addresses the impact of archetypes on literature in … He notes that Singer’s Unholy Bible: A Psychological Interpretation of William Blake (1970), though oversimplified in its psychobiographical approach and its treatment of characters as psychological projections of the author, does make original use in a literary context of such Jungian techniques of dream interpretation as “amplification” and of such fantasy-evoking procedures as “active imagination.”. Summary of Chapter 3. Lecturer in English PSC Solved Question Paper, Alchemy of Discourse: An Archetypal Approach to Language. Despite his deliberately selective focus on critical works written in English on literary texts that are, for the most part, also written in English, van Meurs, with the early assistance of John Kidd, has collected 902 entries, of which he identifies slightly over 80 as valid and valuable literary criticism. James Baird, “Jungian Psychology in Criticism: Theoretical Problems,” Literary Criticism and Psychology (ed. Thus criticism evolving from his work is more accurately named “archetypal” and is quite distinct from “myth” criticism. This burgeoning theoretical movement and the generally unsatisfying nature of so much early “Jungian literary criticism” are both linked to the problematic nature of Jung’s own writing on literature, which comprises a handful of essays: “The Type Problem in Poetry,” “On the Relation of Analytical Psychology to Poetry,” “Psychology and Literature,” “Ulysses: A Monologue,” and “Is There a Freudian Type of Poetry?” These essays reveal Jung’s lack of awareness as a reader despite his sense that they “may show how ideas that play a considerable role in my work can be applied to literary material” (Collected 15:109^. /Producer (�� w k h t m l t o p d f) And the 1980s saw a new, suggestive, and controversial direction in archetypal studies of literature: the feminist. Jungian criticism, which is closely related to Freudian theory because of its connection to psychoanalysis, assumes that all stories and symbols are based on mythic models from mankind’s past. Post was not sent - check your email addresses! Archetypal criticism dissects and analyses symbols, images and mythologies used by a writer in his works, and these symbols, myths and rituals have their origin in primitive myths, rituals, folk-lore and cultures. �H��)a�5Ka�i3���1�lc{썛-Ę�PZOȄ��X�͖�r�3�9��^7q������y�����r�di�ZR۩�E�Z��Ȓ�������+\LD��^�~� 1924) “to move beyond clinical inquiry within the consulting room of psychotherapy” to formulate archetypal theory as a multidisciplinary field (Archetypal 1). Frazer’s and Jung’s texts formed the basis of two allied but ultimately different courses of influence on literary history. Van Meurs’s bibliography conveys the great variety of Jungian writings on literature even within one language, the increasingly recognized potential for further development and use of Jung’s ideas, and the growth in numbers of literary scholars falling under the influence of Jung. 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