68. A Story of American International Pictures, which addressed the history and development of the horror film genre, made fair use of clips from horror films to show, inter alia, the political context of “alien visitation films.”5 There are many more examples of documentary films that utilize fair use, far too many to cover exhaustively here. If any have been forgotten leave a comment at the bottom. Crown International Pictures was an independent film studio and distribution company formed in 1959 by Newton P. Jacobs. S. Samuel Z. Arkoff. American-International Pictures [AIP] 1954-1980 Rik Tod Johnson 391 films 22 Edit From Wikipedia: "American International Pictures (AIP) was an independent film production and distribution company formed on April 2, 1954 as… About this list: A reference list of films released by American International Pictures. A 60-minute salute to American International Pictures… After barely a week in theaters during August of 1972, Samuel Arkoff’s American International Pictures abruptly withdrew the raucous antiwar documentary “ F.T.A. The latter two also served as directors and writers. The Story of American International Pictures (2001) TMDb Score. In the first year alone, Nicholson and Arkoff completed two-dozen movies with their credo: “make ’em fast and make ’em cheap.”. Check out some the surprise hits of 2021 that caught the attention of IMDb fans and are all available to stream now. About this list: Film Production & Distribution Company that formed in 1954. Add the first question. A 60-minute salute to American International Pictures. In 1982, Sam Arkoff would ultimately sell his holdings in AMERICAN INTERNATIONAL PICTURES to Filmways. THE STORY OF AMERICAN INTERNATIONAL PICTURES. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle. TMDb Score. Stars like Vincent Price, and Ray Milland can also be seen in the films of AIP. He agreed despite that, at that time, the average budget for a studio film was $4,000,000. He founded another AIP -Arkoff International Pictures – and returned to the movies. “My first impression of Jim and Sam was that they were two very bright and ambitious men,” said Corman. Use the HTML below. By the mid-1970s, AIP began to delve into deeper budgets and scored with blockbusters like THE AMITYVILLE HORROR, LOVE AT FIRST BITE and DRESSED TO KILL. AMERICAN MOVIE CLASSICS is the nation’s premier classic movie network, bringing timeless favorites to a broad audience by placing them in a fresh and contemporary context. With early creations like HOT ROD GIRL, RUNAWAY DAUGHTERS and SHAKE, RATTLE AND ROLL, AIP created rebellious, sexy films that put off critics, upset parents and attracted young people in droves. The average AIP film took less than ten days to complete as compared to major studios’ usual year-plus process. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. In fact, they began selling films to distributors on the basis of a catchy title and promotional campaign alone – never shooting a foot of film until the theaters had committed on the basis of the movie poster alone! Born in Austria to a French mother and a German father, young Christine Kaufmann conquered the hearts of post-war German movie audiences in movies like Der schweigende Engel (1954), Ein Herz schlägt für Erika (1956) and, most famously, Rosen-Resli (1954). Frequent collaborators include Adam McKay, Will Ferrell, Seth Rogen, and Jason Segel Theater owners could rent these films at considerably lower costs than the major studios were charging. IT CONQUERED HOLLYWOOD! A 60-minute salute to American International Pictures. IT CONQUERED HOLLYWOOD! Moritz was able to trade the use of some stock footage to Corman for use of the title. Award-winning original documentaries, series and specials are infused with the energy and excitement of Hollywood past and present. How did the same folks who thrived on drive-in “B”-films grow to create pricey blockbusters like THE AMITYVILLE HORROR and distribute tony foreign entries like Fellini’s LA DOLCE VITA? Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. Ironically, the lurid promises made in posters were often not even in the movie; but they would encourage young people to buy tickets and fuel the rebellion that divided kids and their parents. “They’re a great example of what can be accomplished when you have limited means and the unlimited imagination of great talent.”. This original program is a Hollywood Lives and Legends Special Presentation. This FAQ is empty. By the end of 1958, AIP had produced and distributed over 50 films. AMC will air BEACH BLANKET BINGO (1965), starring the teen sensation couple Frankie Avalon and Annette Funicello, on Tuesday, May 1. The narration, also, is pretty lame. (TV Movie 2001). On Wednesday, May 2, AMC will present MACHINE GUN KELLY (1958) followed by IT CONQUERED THE WORLD (1956) on Thursday, May 3. Arkoff and Nicholson discovered that by creating an exciting title, trailer and advertising campaign, they would attract an audience of willing viewers. The festival concludes on Friday, May 4, with AIP’s first box-office hit, I WAS A TEENAGE WEREWOLF (1957), starring a young Michael Landon. ” from release. View production, box office, & company info. Arkoff and Nicholson looked at the industry and decided that if they could acquire a film to distribute, they could create a movie company. ... [FULL DOCUMENTARY] - Duration: 1:11:30. Cast. From monsters to beach parties to cycle gangs to the psychedelic youth, many film clips are shown, highlighting the company's successful twenty-five year run in Hollywood. Known for it's cult like films. From monsters to beach parties to cycle gangs to the psychedelic youth, many film clips are shown, highlighting the company's successful twenty-five year run in Hollywood. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his ... 1 of 1 people found this review helpful. Interviewees include Arkoff, Nicholson (archive footage), Peter Bogdanovich, Bob Burns, Herman Cohen, Roger Corman, Dick Dale, Joe Dante, David Del Valle, Bruce Dern, Roger Ebert, Beverly Garland, Pam Grier, Susan Hart, James L. Honore, Al Kallis, Aron Kincaid, Mark Thomas McGee, Dick Miller, and Burt Topper. Roger Corman made many of his funny, cheap, horror Drive in classics at this studio. Nicholson and Arkoff then set off to meet movie exhibitors and convince them to invest in AIP’s proposal to create low-cost films. Written by F.T.A. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. Arkoff and Nicholson found success in niche filmmaking, looking for audiences who weren’t being served by the major studio systems. AIP began as the American Releasing Corporation, a new distribution company formed in the early 1950s formed by James H. Nicholson and Samuel Z. Arkoff. With Lou Arkoff, Larry Bishop, David Colton, Roger Corman. Nancy McKenna served as the Executive in Charge of Production for AMC. They had $3,000 in capital, no scripts and no stars, and had never made a film before. They also had an incredible knack for conjuring up salacious titles and promotional campaigns, and the talent to create the concepts. “They were just a little bit older than I was, and I thought it would be worthwhile to gamble with them.” Corman was promised a three-picture deal with a budget of $40,000 each. Through the 1960s and 1970s, AIP continued to carry out niches not being attended to by the Hollywood majors. Launched in 1984, AMC is currently available in 77 million homes. A list of 452 films compiled on Letterboxd, including It Conquered the World (1956), Hot Rod Girl (1956), Girls in Prison (1956), The She-Creature (1956) and Flesh and the Spur (1956). Was this review helpful to you? 1 Filmography 1.1 1950s 1.2 1960s 1.3 1970s 1.4 1980s 1.5 2020s Soon after, Jim Nicholson died of brain cancer. The Story of American International Pictures A 60-minute salute to American International Pictures. Get a sneak peek of the new version of this page. THE STORY OF AMERICAN INTERNATIONAL PICTURES begins in 1955, when Sam Arkoff, a lawyer from Iowa, and Jim Nicholson, a theater chain manager from Nebraska, came together to make movies. Weak. Directors Martin Scorsese, Woody Allen, Francis Ford Coppola, Richard Donner, Brian DePalma, Peter Bogdanovich, Ivan Reitman and David Cronenberg shot their first films for AIP. Every weekday at 7:00 PM (ET), AMERICAN MOVIE CLASSICS presents Hollywood Lives and Legends, a documentary series featuring great movies and the stories behind them. The company's first television production was the comedy series Freaks and Geeks (1999–2000) and its first film production was the comedy film Anchorman: The Legend of Ron Burgundy (2004). Formed in the mid-1950’s, American International Pictures was founded as an independent film production and distribution company. The answers are all found in the history of Sam Arkoff and Jim Nicholson’s AMERICAN INTERNATIONAL PICTURES. Founded by Samuel Arkoff & James Nicholson, this is the company where Roger Corman honed his chops. It Conquered Hollywood! The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle. The company focuses primarily on exploiting the distribution, remake and sequel rights to titles in its library, which it continues to add to through acquisitions and new productions Storyline A 60-minute salute to American International Pictures. The 9th (final) logo of independent film production and distribution company, American International Pictures. They had $3,000 in capital, no scripts and no stars, and had never made a film before. The Andrew Levitas-directed drama has been set for a February 5 release, dropping in… JERICHO, N.Y., March 26, 2001 – How did low-budget teen fare like THE SHE CREATURE and REFORM SCHOOL GIRL help save Hollywood? They were one of the first franchise distributors for American International Pictures and like that studio, they llized in low-budget junk -- the kind of stuff that I love. Want to share IMDb's rating on your own site? alfiehitchie. Everything from hot rods, motorcycles, campy horror, surfing and hippies. His retirement was brief. The Story of American International Pictures (documentary), American Movie Classics, 2001 The Sandra Bernhard Experience, Arts and Entertainment, 2001 Herself, Totally Gayer, VH1, 2004 The premiere of the special will launch a four-night, “Midnight Madness” film festival, May 1 to May 4, featuring an A.I.P cult classic every night. AIP, Founded in 1954. This documentary covers about 25years worth of films made by American International Pictures. It was also a time when the movie industry was seriously threatened by two developments: the Supreme Court’s dictate that studios sell their movie chains and a new phenomenon called television. On May 1 at 10:00 PM (ET), AMERICAN MOVIE CLASSICS will tell the story of the studio that’s called the “original independent” with IT CONQUERED HOLLYWOOD! The scarier the movie, the better the opportunity to bring girlfriend and boyfriend together at the drive-in! A 60-minute salute to American International Pictures. 2015 Gentleman Gothic: Gordon Hessler at American International Pictures (Video documentary short) 2015 It Was a Colossal Teenage Movie Machine: The American International Pictures Story (Video documentary) Bordello client, Boxcar Bertha, American International Pictures, 1972 Jimmy Shorts (Shorty the hitman), Mean Streets, Warner Bros., 1973 Italianamerican (documentary), Scorsese Productions/National Communications Foundation, 1974, broadcast as an episode of New to America, The Learning Channel, 1989 The men lucked out when they met the young filmmaker Roger Corman who had just completed his second film, THE FAST AND THE FURIOUS. It is fantastic to see now famous film stars in some of their earliest roles, and old stars on their way down. AIP also pioneered biker movies with Corman’s THE WILD ANGELS and HELL’S ANGELS ON WHEELS, counter-culture hippie flicks with PSYCH-OUT and THE TRIP. 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